Kurosawa's narrative of power and ambition in “Blood

The 600th program of the Iranian Artists' House program, Monday, February 23, was dedicated to Akira Kurosawa's “Blood” movie, Monday, February 23. Following the screening of the film, a review meeting was held with Nahid Hassanzadeh (director and critic of cinema). Saeed Nouri was run by Saeed Nouri.

Kurosawa's adaptation of Macbeth is one of his adaptations of Shakespeare (along with his other adaptation of King Lirler and Hamlet), which has become a completely Japanese film.

In the “Blood Series”, Commander Washizo and his friend Mickey, after winning the war, are lost in the woods and see the magic that will presenter Washizo, but Mickey's heirs succeed and …

Nahid Hassanzadeh said at the meeting: “The film is upset and a straightforward story, but what matters to me is how Kurosawa was able to portray the concept and nature in this important language in cinematic language.” We have the archetypes that Jung have made. Anima and Animus are among the older models.

He added: Corusova has adapted the story of Shakespeare's Macbeth. Numerous filmmakers made their desired work from Macbeth, but here it is clear that the director was familiar with the concepts of Anima and Animus, because at that time various works were written on the subject and the world began to know the feminine spirit of societies.

The cinema critic said: “The modern world says that if you do not wake up the feminine spirit of your society, you do not know it; In this way, the system remains on the same as a masculine and patriarchal dimension. Society does not grow and cultural development does not happen. In such a society, creativity is dried up and violence increases. Like what we are seeing in the Middle East. It was important to note here that if cultural work had become more prominent (which was not allowed to do), perhaps the issues we are now deeply involved in, and a society whose feminine spirit did not grow, more violence. Is.

Hassanzadeh said in another part of the meeting: “The character of Washizo, who wins the war, suddenly encounters a wizard. The light on the scene, the outfit, and the type of talk, as if it is from the depths of history, gives us the icon of a clergyman who makes us think we are faced with an evil spirit. It is as if they are confronted with a god in the woods whose prophecy is true. In fact, we will find that we have seen the darkness inside Washing, talking to the voice of his wife or the wizard.

At the end of the meeting, he said: “The film” Blood “is about the shadow of power and the lust of power, ambition and so on.