What happened in the 8th Research Seminar of Resistance Theater?

According to the Mehr news agency, citing the public relations of the festival, the 8th Research Seminar of Resistance Theater coincides with the beginning of the final part of the 19th International Festival of Resistance Theater, on Saturday, December 15th, with the scientific secretary of Fars Bagheri and a lecture by a number of theater researchers and lecturers at the Faculty of Arts. and Architecture was held at Tarbiat Modares University of Tehran.

Faris Bagheri, the scientific secretary of the 8th resistance theater seminar, at the beginning of this seminar, while presenting an explanation of the process of holding this course, stated: as stated in the call for the resistance theater research seminar, awareness and recognition of the dramatic literature of resistance in Iran, “Knowledge of the resistance theater and historiography” It”, “Explaining the historical, literary and performance achievements of resistance theater in the country”, “Awareness of resistance theater and national theater in Iran” are the objectives of this seminar. In addition, “Theatre of resistance and historical issue”, “Theatre of resistance and social issue”, “Theatre of resistance and religious issue”, “Theatre of resistance and cultural-social discourse”, “Theatre of resistance and its relationship with Iranian plays”, “Image of theater Resistance and Ancient Iranian-Islamic Literature”, “Theatre of Resistance and Regional Artistic Movements”, “Theatre of Resistance and Documentary Theatre”, “Theatre of Resistance and the Interdisciplinary Matter” and “The Change and Evolution of the Concept of Resistance in Literature” Drama of the world” are also the research areas of the seminar.

Ali Haji Molla Ali, a university lecturer, researcher and translator, one of the members of the jury of the 8th resistance theater seminar, also said in this meeting: One of the good things that happened in Tarbiat Modares University in recent years is the attention and scientific analysis of festivals and theatrical events in the country by organizing or participating in them. It is in different seminars. The path that today, with the 8th resistance theater seminar, can be considered an effective step in the field of exploration and analysis of the resistance theater category.

He added: “These kinds of facilities are a sacred thing, and we should appreciate Fars Bagheri and the resistance theater festival secretariat for holding them, and I hope that holding such seminars will be an effective step to improve the quality of performances in the field of resistance theater.”

After the introductory part of the meeting, with the formation of specialized panels that were presented to the attendees at different times, the participating lecturers and researchers presented their topics in different formats.

“Study of the role of motherhood in Alireza Naderi's two plays with an emphasis on the cultural studies of Najmabadi legend” with the research of Amir Mohammad Shawali Rezaei and Arina Mahmoudi, “The reflection of war in the works of playwrights of recent decades and the success in attracting young audiences” with the research of Baharsadat Banijamali, “Social analysis Women's activism in sustainability literature with a focus on Iranian playwrights in the 1970s” with the research of Forozan Beigi, “The activism and reactivity of female characters in Hamidreza Azarang's plays based on the theory of critical analysis of Simon de Beauvoir's discourse and a case study of Khonkai's plays “The End of Memory” and “Mother Mande” with the research of Parisa Kiyomarthi, “Analytical and Etymological Investigation of the Crystallization of the Components of the Khuzestan Ecosystem in the Resistance Theater” with the research of Hadi Valipour Garaghieh and Narjes Ebrahimi Ghanmi , “Zariran monument, the first example of dramatic literature of resistance in Iran” with the research of Mir Mohammad Reza Heydari, “Study and analysis of various interpretations of the myth of Arash and the issue of resistance in Iranian dramatic literature (with emphasis and focus on the play Arash Shivatir (Arslan Pouria), A Journey for Arash (Ismail Hemti), Tirgan (Sadiq Ashourpour, Arash Bahram Baizaei, Siavash Kasravi)” with the research of Nima Dokan, “Research on the study of experimental-realist approach in plays of resistance with pause and Delving into the works of Gholam Hossein Daryanvard” with the research of Jahanshir Yar Ahmadi were among the topics that were focused on in this seminar.

The unveiling of the selected book of resistance theater research seminar papers was another part of this program, in this part, with the sole presence of the head of the Faculty of Art and Architecture of Tarbiat Modares University, from the book “Eighth Discourse” containing selected articles of the 19th International Festival of Resistance Theater It was unveiled.

In the 19th International Resistance Theater Festival of Fall and Winter of 1403, under the direction of Mohammad Kazem Tabar, the Revolutionary and Sacred Defense Theater Association of the Fatah Narration Cultural Foundation is being held in Tehran and various cities of the country.