the gate of heaven; The display of Golpayegan's original inlaid masterpiece in Motahar Razavi shrine

Mohsen Jamali, researcher and member of the association wordpatkanin a conversation with Mehr reporter, referring to the special place of Golpayegan city in art inlaid The country stated: Golpayegan is considered a “national city” due to having outstanding artists and a 500-year history in wood carving art. inlaid” has been registered.

He said that style inlaid Golpayegan flower and bird is one of the unique styles of this art in the country, he added: This style has gained a special place among handicrafts enthusiasts and experts due to its elegance, complexity and artistic combination of flower and bird motifs. With master craftsmen, Golpayegan has preserved a valuable heritage in this field and passed it on to the next generations.

Jamali continues to the outstanding works of the late teacher Heydar Niknam Golpaigani, one of the great masters of art inlaidpointed out and said: This renowned artist has been working in Astan Quds Razavi for many years and during this time he has restored valuable wooden works and created artistic masterpieces.

He pointed out: among the most important and significant works of the late teacher Niknam, we can mention the restoration of the historical pulpit of the Timurid period of Goharshad Mosque in Mashhad, which is one of the rare examples of wooden arts in Islamic architecture.

He continued, the design and construction of one of the entrance doors of the Azadi courtyard of Motahar Razavi shrine with art inlaid Decorated flowerpots are among the other magnificent works of this outstanding master. This door, with its detailed details and the use of special artistic motifs, is now an adornment of the holy shrine of Razavi and attracts the attention of pilgrims and tourists.

Pointing to the importance of preserving the great works of art, this researcher added: In the Astan Quds Razavi Museum, there is also a collection of works inlaid The late professor Haider Niknam Golpaygani and professor Mohammad Reza Tosali Golpaygani are kept. These works, which have high artistic and historical value, are an example of authentic Iranian art and the unique skills of Golpayegan artists.

He emphasized the necessity of establishing “House inlaid Golpayegan” emphasized and said: this center can provide a space for the gathering of artists, education of the young generation and development of this art. As soon as possible, this collection should be created rather than art inlaid Golpayegan should be better known in the country.

Jamali at the end on the need to support artists and preserve and promote art inlaid He emphasized and said: In order to continue this valuable art, the young generation should be supported and suitable educational platforms should be provided to transfer this art to future generations.