Publishing a book on “Show and Khania in Iran”

According to the Mehr Reporter, the book “The Show and the Khania in Iran” by Majid Rezvani has recently been published by Mohammad Ziar by the new publication and has been published to the market. The original version of this book is published in Paris.

Majid Razvani, the author of this book, was born in Iran in year 6 and died in France in year 6. He studied performing arts in France and Iran and then became a theater acting. Rezvani wrote various books and articles on French -language performing arts, one of which is “Theater and Khania in Iran”. The book was read by Jules Roman, a member of the French Academy, and he wrote a preface to the book.

Rezvani says “Show and Khania in Iran” originated from the “Iranian Dance Dance History”, which was first performed in Paris for the first time in Paris. He says the research he needed to write that page of the play has aroused him to continue the work. The result was that he was published in the Paris Periodic Dance Archives Magazine. In the same year, research on the Islamic period was completed, and Razvani added material to his book after his wife's death, which accompanied him, adding material to his book.

This book has two main sections called the first book and the second book. The first book: The Old Grand “has four main chapters, respectively:” The play in the Achaemenid era “,” The Seleucids and Parthians “,” Sassanians “,” Islamic Iran “and” People's Play “.

The chapter “Theater in the Achaemenids” includes these titles: the origins, the emergence of cities, the source of the play, the Dionysus and Alexander, the Iranian -made Alexander, coexistence / Cultural Link of Iran and Greece, Achaemenid music. The Seleucian and Parthian chapter is also three subdivisions and dances, Iranian origins of Indian play, party music.

In the Sassanid chapter, there are four titles and dances, Eastern Dionysus, the art of music with the Sassanids, and the Sassanid celebrations. In the chapter “Islamic Iran”, the author of these titles has been given to the audience: Shi'ism, similar to simulation or ta'ziyeh, religious delegations, religious play history, religious migration.

The fifth chapter of the first book “The Show and the Fall in Iran”, which has “People's Show”, includes: play or imitation, play and grocer, showcases, shadows play, fantasy doll show, showcase display, showcase show Novin, some of the important works performed, the name of several shows, a few show halls.

Book 2: Ramshgari “also includes the sixth book of” Dance “, which holds these chapters: dances, classic dances, Iranian dance analysis, rural or tribal dances, humor dances, religious dances , Sectarian dances, magical dances, war dances, acrobatic or Saro dances, funny dances, steps and moves of Iranian dance, some dance tools, a fierce band and a musician or a bunch, Zurkhaneh, Multi -instrumental instruments, Inflatable instruments, multiple instruments About Iranian music, the names of several music or instruments.

We read in part of this book:

One million tomans a year is spent on the Ta'ziyeh. In the past, the Shah's show was superior to other groups because of the glamor of clothes. Simulators even benefited from royal jewelry.

Each neighborhood wanted to overcome the magnificent and beauty of its Ta'ziyeh. In this case, there was a clash between different neighborhoods.

Most artists play for free, but there are also those who pay.
Each of the days of Muharram has its own ta'ziyeh. There are also women's show groups playing in the home of a rich Iranian women. Needless to say, men do not have a way to these groups and all the roles are performed by women; Especially in Gorgan. In feminine groups – the scene is more contracted than the men's groups; The clothes are simple; Instead of the sword, they take wood and instead of the pot.

This book has been published with 2 pages, numbers of 1,000 copies and a price of 2 thousand tomans.