“Baby People” are concerned but sweet; In the first 2 minutes we had 2 sequences

Sayed Ali Ahmadi, the producer of the film “People's Baby”, told Mehr about the first film of Mahmoud Karimi, the director of “Laughter”: “Mahmoud Karimi is a graduate of this field and has been concerned about entering the cinema for years and doing cinematic work; Like many of our friends and colleagues in this field. Of course, during the years he has worked in the profession, he has done a variety of things including documentary, serial and comedy programs.

He added: “I entered the” Laughter “program five years after entering television. But again some who did not know me, said that this person had entered “laughing” without any background, while I had 5 years of programming experience, and during this time I had produced prominent programs in different genres. Mr Karimi was also concerned about entering the cinema for years, and even once or twice we did a pre -production work that reached a serious production stage, but for some reason it stopped. This reciprocal understanding of each other's working moods makes people intertwined and do common work.

Producer “People's Baby” went on to explain the film's structure and its challenges: The film had a very complex production process. The audience should see it, but in the first 5 minutes of the film, there are about 2 sequences that have given the film a very sharp rhythm. Of course, we tried to adjust this rhythm in the film, but it is still full of events and actors.

Ahmadi said about the film's concern about the past and its fantasy atmosphere: Our goal was to create a work that would convey our desired message to the best and the audience was involved with its work and message after watching the movie. Feel it in your mind and soul. We are looking for social impact; Even in the construction of comedy, the goal is to change the taste.

He added: “A comedy that only makes laughing in the moment and then forgotten is different from the comedy that the audience still thinks about and brings a smile on his lips. This type of comedy has a more social impact.

Ahmadi, referring to Yusuf Aslani of the Benefit Benefit, said: “Yousef Aslani has been active in the field of welfare and children who are deprived of parents' support and are physically in trouble, he has been deeply concerned about his concerns. It has this and believes that these children should not remain in well -being. I even prefer not to tell them “children of well -being” because they are children who have lost or have their parents for some reason.

“The main concern is that these children should be entrusted to families as soon as possible to grow in the real space of a home and family and become blossoming people, not to enter the community with a permanent trauma,” the producer added. This has a negative impact on both themselves and for the community around them. The goal is to enter the community with a healthy spirit, not with depression.

Ahmadi noted about Aslani's impact on film making: In the process of making this film, Youssef Aslani as the main sponsor has included his life concerns in the script. He has already raised these issues in the media. In this film, we tried to express the bitter messages in the sweetest tone. How successful we have been to the audience. If we have been able to convey the message, we have been successful, and if not, we have to revise our work.

He said about the presence of teenagers in the film: During the film, we went to various cities and environments, including the outskirts of Tehran, and we are going to see new faces of talented teenagers in this film. One of the problems of our cinema today is that, as in the past, the programs they were making are not produced.

“Many of the prominent figures of Iranian cinema have come to the cinema through television or theater, but today the process has been halted or low -quality,” the producer said. I have also told some platforms that their professional responsibility is to produce programs to make. The role of a 5 -year -old can not be given forever to a 5 -year -old.

“We have a serious shortage in the field of actors, both women or gentlemen, and this has affected our cinema and the drama,” he said. This is time -consuming and may make the pre -production and production process prolonged and difficult. Sometimes you choose someone and after a while you realize that you are not appropriate and you have to choose again. Fortunately, we didn't have such a problem in this project, but it is very difficult to introduce new faces.