Making the film about Martyr Hashemi Religion was on our neck; I didn't give up the role

Reza Masoudi, the actress of Martyr Ali Hashemi in the film “Esfand” by Daneshbashavi, who is present at the 40th Fajr Film Festival, explained in an interview with Mehr reporter about the acceptance of this role: I have been writing a screenplay since I was trying to write a screenplay. And I was with him. When the work went ahead and the script was over, the knowledge of the game offered me to play this role. At first I said that because it is a difficult task to allow us to think about it. The answer was that he had been thinking about when he wrote the job. Because I was in touch with the story, I loved it emotionally, and eventually became the role of martyr Ali Hashemi.

He said about other options to play the role: He was initially looking for a figure for the role of Martyr Hashemi, but because of the sensitivity of the role and the film itself, another decision was made. After rewriting the script, my knowledge had closed his mind. Meanwhile, geography was very important and I speak in the Arabic film and this was important to the character of Martyr Hashemi. It was difficult for a prominent actor to learn Arabic, and it was very sensitive to knowing the geography of the story and eventually it was my name.

I grew up in Khorramshahr

The actor said about life in the south of the country: I was born in Noshahr during the war and year 2, but my mother is Abadani and my father. Until the age of six, I was Noshahr because my father was the head of the Foundation for the Immigration Affairs in the north and was constantly going to war and returning. I was in Khorramshahr as soon as the war ended and I grew up there.

Massoudi commented on the main features of this role: In my conversation with knowledge, he saw things in me that had given me the right role. However, I was not sure of this. Of course, it knows my knowledge very well because we have been working together for many years and in projects such as the great work of “Resurrection” I was his assistant. Knowledge said that your interior was similar to the martyr Ali Hashemi, and this came from his extensive research on this martyr. For example, he said that you were doing your work in peace, and Martyr Hashemi was such that with this calm he did the great things he was entrusted to without any noise. The whole point was that your similarity to this noble martyr would help a great deal, and the main pillar of the role and personality of these inneries would be the rest.

I did personal research.

The actor said about separate research on martyr Hashemi: “I started my research since we entered serious pre -production and recruitment. I saw the videos of Martyr Hashemi, I listened to the sounds and read the material and tried to bring myself closer to them. So I felt that I was no longer Reza Massoudi, and even my mother said you had changed and they were saying that you had changed and that was not the case at all.

He continued: I felt this martyr was beside me, and for example, where I had to talk, I was talking, and where I shouldn't be silent, where I had to show nervousness, I was nervous and … I don't want to say this role. I was because I am not an actor basically and my main job is assistant director. I have played before, but I didn't experience this volume of acting. In fact, I want to say that playing in the role of martyr Hashemi had even an external impact on me, and this showed itself in the game, and it had not abandoned me three months after the filming.

In Iranian cinema, we did not have a film about a martyr or an Arab language commander, and it is the first time that such a work is made.“I have studied this character for three months,” he said. You may not believe that I still listen to the sounds of martyr Hashemi. I read some of the books written about Nusrat's headquarters. I read books that are reference and have reviewed this site from different perspectives. I tried to read these narratives from the point of view of Khuzestan's friends. There were interviews with Martyr Hashemi that I saw and heard. I also went to Aref Hashemi's brother Hashemi's brother and talked to him. He is the one who was with his brother at the heart of the war, and Mr. Hashemi's data and information about his brother was also very helpful.

Massoudi explained about Grimsh: “My make -up was short and 5 minutes, and it was spent a short time compared to other actors. But as filming was done in Ahwaz and Abadan, it was extremely difficult to work in Hoor. There are famous mosquitoes and the cast of the actors were on small boats that were on Hur and these boats, and the difficulty made me think of how these martyrs at that time and with those facilities in difficult conditions for The identification was going. We were not a drop in front of their ocean because we went to film a few hours, but they were sometimes in the area for four hours.

He said about the biggest challenge of the role of martyr Ali Hashemi: The challenge of the role of martyr Ali Hashemi for me was the secret of his work since the establishment of the Nusrat Sri. Being secret about this character was very important that it had to be manifested in the character and role, making it very difficult because there were demonstrations in the character, and especially the eyes were very important. It was not the name of this secrecy because it was supposed to be done, but it is very difficult to do something that you can't even know about your hand and even the family should not be aware of it.

The first film about the Arab -speaking commander

The actor stated about the importance of making the film “Esfand”: The importance of Ali Hashemi's “Esfand” film is. In Iranian cinema, we did not have a film about a martyr or an Arab language commander, and it is the first time that such a work has been made and this is very important. In the pre -production, I said to the knowledge of the knowledge that it is our religion to do it as an Arab language, and both I and I and the whole team did our best, and I hope that this effort will be seen. During the sacred defense, there have been things that young people, especially the born of the 1980s and 1980s, need to know what great things have been done and one of the great things that is Khyber.

The most important thing that martyr Ali Hashemi not only has to teach me to others is people. Martyr Hashemi was extremely popular and nothing but people. Today's officials and commanders will succeed if they take the same approach and make people a priority for their decisions and actions.Massoudi continued: The new generation must understand that during this war we did not give any part of our territory. Unfortunately, the new generation is far from these stories and may not care about the war, but these films can change their look. In addition, the Nusrat and Khyber Operations Camp in the world and all wars is one of the most unique operations. There has been no water operations in any of the wars of the world, and as it depicts Hoor, it can give youth and teens a very different look at what great things have been done in the war. The waterway is on the waterway, and this waterway means the constant path, and identifying these requires great intelligence. Therefore, the youth of this generation must understand the Iranian bravery, intelligence and intelligence that it is because of the intelligence that we are in this position today.

At the end, Reza Massoudi stated: I learned a lot from Martyr Ali Hashemi. I always felt that he was beside me and I was saying this. The most important thing that martyr Ali Hashemi not only has to teach me to others is people. Martyr Hashemi was extremely popular and nothing but people. Today's officials and commanders will succeed if they take the same approach and make people a priority for their decisions and actions.