Arbaeen's walk gave new keywords to our city; The poet

Mehr News Agency, Javad Sheikh al -Islami Group: Mohammad Reza Tahmasebi was born in Tehran in year 6. He says that he started poetry from the middle of the guidance and has been associated with poetry since his teens. He has completed his undergraduate degree in Industrial Management, but has changed his undergraduate degree, studied in Persian language and literature, and for some reason has abandoned it. Tahmasebi has previously published books on “propositions”, “overturned vocabulary”, “concealed” and “zerokh”.

On the pretext of being selected by Tahmasebi in the Arbaeen World Award, which was closed last week, we went to find out about recent activities and ready -made books.

This detailed Dialogue Read the following;

* Mr. Tahmasebi won the first place in the Arbaeen World Award in the poetry section, with a 2 -bit story. Let's talk about this award and this long story.

The Arbaeen World Prize is held by the Islamic Culture and Communications Organization, where this year from nine countries participated in various disciplines. Fortunately, I was able to get the first rank in the poetry section. Mr. Aqil al -Lawati of Oman was second and Ali famous from Iran and Nikola Hassan Dicola from Italy jointly ranked third.

* Talk more about the story you have chosen. What happened to this story?

I went to the Iraqi poet Sayed Reza Hindi. Reza Hindi has a poem with a strange weight in Mullah. I read a Persian story to Arbaeen by reading their story, which has become a firm and special. The first part is Amir al -Mu'minin (AS) and the second part deals with the story of Karbala and Arbaeen. Early sitting at home and regret why I'm not going, but suddenly decides to move; “I said Basmallah, at home to stay no longer / and Tawakul Ali al -Mutkal and Afvoz, I went from home to Najaf because the sparrow that opens.”

* It has a strange weight. How did you write in this 2 -bit weight?

It was really Mullah. In his shrine, I asked the Prophet to say a poem. The next day, I wrote this poem from ten in the morning to twelve nights. It was really strange. He was an enthusiasm. This story is really a firm and right.

* Did you correct it after writing, or was it the final version?

Yes. Then I sat down and edited some of the verses a little, but it was a solid task. “I have to say a poem in Shirin Cho Dehin Abu Hakar / I say Rab al -Sharah Lee Sadri, out of his hand from the Hindi poet of the logo in this office.” It is a special story.

* It is a bit difficult for the general audience to read this poem.

My poems are the same; Arcaic, Fakhr and Khorasani. That is how the Qasidah is in general. The story is neither a sonnet, no song. It has its own language and its audience.

* So I said that it was different and the poets themselves are less dealing with such weight.

Yes. If your weight comes to the end, you will be comfortable. “It is right if Ahmad gives it to Haidar Zahra Athar / if he says to Ali Anna al -Kowsar”. The audience rides weight, can easily communicate.

I have two sets ready to be published, one of which is printed by Surah Mehr. This book is a collection of Nimai poetry. One may not believe that Tahmasebi is printing a collection of Nimai's poetry, but this book is a Nima -style collection of the Brotherhood style.

* Arbaeen's poem has entered a repeated round in the past two or two years; Both repetitions and weights, repetitions in themes and meanings. However, you wrote a long and Khorasani story for Arbaeen, in a special weight, that creates new meanings and gives the audience a different feeling. Arbaeen's poetry has been repeated or can it be written about it?

No. We can definitely write. Of course, Arbaeen's poetry also gave new spaces, words and meanings to our religious poetry and poetry today. Since this walk has been formed, there have been keywords that were not in our poetry. For example, the poem “Next to Jabir Steps” was written; While fewer people knew Jabir Ibn Abdullah Ansari. Or the perpendicular words and mogul that were added to our circle of words. To write Arbaeen's poetry, you have to get out of the stereotypes.

* Did you have another poem about Arbaeen before?

I had a poem with a row of “head” that is aware of “Single and the only independent series / Series that is separate from eternity.”

* What about the new book and collection? Do you have anything to do with printing?

I have two sets ready to be published, one of which is printed by Surah Mehr. This book is a collection of Nimai poetry. One may not believe that Tahmasebi is printing a collection of Nimai's poetry, but this book is a Nima -style collection of the Brotherhood style.

* We have seen and read the language of Mohammad Reza Tahmasebi in Qasidah. The combination of this Khorasani language with Nimai's poetry, following the Brotherhood's language and style, will certainly be readable. Do you explain more?

This collection of poetry has a story. Writing this collection was a fun thing for me. The dear poet had written a white poetry collection and had sent me to comment. I wrote all of their poems in Nimai in the Brotherhood. That is, many of the themes of these poems are not for me at all. The side of the poem had said his white and had no weight or rhyme; I also wrote these poems in the Brotherhood's language and saw that they were fine.

* Was the book themes appealing to you or something else?

No. It was fun. I wanted to write in the language of the Brotherhood. Was an interesting experience; One poem that another has been written in the form of white, you write the same poem with the same themes in the form of the Brotherhood. You change the form and do something new. It was a poetic game for me. I think it was missing for nearly ten years, which I recently found in toy. After ten years I read it again and saw that some poems were really good and it is a pity not to be published.

* Are you likely to take the half -seriously? Because you have always been a top priority for you, sonnets and ancient formats of Persian poetry.

Why not? I have another collection. Perhaps there are more than forty poems in this book.

* This is a collection of poetry you said is ten years ago. I mean from now on; And with the greater seriousness to reach your special naps. Both in language and form, in theme and meaning.

I love the nima format. It is a template that gives the poet freedom. See Mr. Ali Davoodi; It is very easy to deal with Nimai. When you read his Nimai poems, you see how easy it is. The task that forced Nima to break the weight and the rhyme and increase the rhymes, and today there is a lot of help to write his words more easily. In fact, it facilitates her. I needed 2 rhymes to write the same 2 -bit rhyme. The rhyme and the weight in which it is difficult to write. You are in the story that you can bring the words of the fellow four times and do not give up the weight, but in Nimai's poetry it is not the news. You can shorten and lift the straps. You can write a short poem that is just a moment. These are the capabilities of the nima mold that make me think more seriously.

To date, my quantities have not been published. I have something about a hundred good stories. The story is really. I only have four stories for Mr. Rasulullah. I have a story for each of the Ahlul -Bayt (AS). For Imam Hussein (AS) and Amir al -Mu'minin (AS) I have a few stories. So if this book is published, the collection will be thick.

* So we may read a Nimai collection that is a Nimai poetry with the language and themes of Mohammad Reza Tahmasebi. Right?

I have been uttered; Why not? Other poets. I said a quatrain some time ago. I was never interested in quatrains, but I read a quatrain from Mahasti Ganjavi, I was impressed and said a quatrain. So it's not unlikely to write poetry in every format. Suddenly you saw the song. Although I have said the song, I mean seriously. I want to say that there are different souls, the Anat and the states of Adam are different. You see you suddenly sit in an atmosphere and write in other formats. For example, I have also said humorous poetry. If you look at my work, you can see that I have said quatrain, humor, Mathnawi, song, song, and so on and I have poetry in every genre. I have poetry, humor, humor, and so on. My literary record is like a cache in which there is a great deal of diversity.

* What is the second book you are ready to print?

To date, my quantities have not been published. I have something about a hundred good stories. The story is really. I only have four stories for Mr. Rasulullah. I have a story for each of the Ahlul -Bayt (AS). For Imam Hussein (AS) and Amir al -Mu'minin (AS) I have a few stories. So if this book is published, the collection will be thick. But I still don't know which publisher to leave it. A few publishers have welcomed the book, but this book requires a serious and professional work. The Publications of the Poets of Ahl al -Bayt, Surah Mehr, the city of Adab, etc. have been ready to publish the book, but have not yet been finalized. Without my compliments, I also take a look at the Fajr Prize. Because some of the narrators in this book are among the most prominent of this time. This is an important 2 -bit story. I would love to be published in the right shape and icon.

* With this account this year will not be printed.

No. I think this book is more obsessive.

* However, we are waiting for a good excerpt from you. That's the same?

Yes. But there must be a publisher who takes time for the book. Because this book becomes a thick book and needs to be printed well. I like this book to be a good and lasting job. There is something that most of my stories are in the crowd, and the poet's friends can look at my record in the story. All the poets know me with a story, but out of the five six books I have published, none of the books. Although my reputation is in the story, I have not been published to this day. I hope this will happen soon.